“I Am Legend” has been made into 3 or more movies, none of which have anything like the book’s ending.
The Last Man on Earth (1964) is dull and misses the point almost entirely, but almost manages the title line. Not quite.
The Omega Man (1971) is exciting and misses the point even further.
I Am Legend (2007) almost gets it. The vampires are competent. Will Smith’s smarter than Neville of the book, but crazier. But then both endings fail to treat the vampires as a society.
The original cut of the 2007 ended with Will Smith’s character realizing he had been abducting and murdering conscious, aware creatures. The ending has the vampires doing a rescue mission, visibly terrified of Smith, and then he allows the one he abducted to rejoin her society.
Test audiences apparently didn’t like it or didn’t understand it
The two adaptations of Watchmen have both missed the point. The Zack Snyder movie treats the characters like gods rather than deeply flawed losers and weirdos.
The HBO series is better, and does get very close, but collapses from a meandering plot and glorifying cops
Did it glorify cops? It’s been a few years but I seem to remember the Chief of police being a literal Klansman and chips beating the shit out of people all the time
The show plays into several right wing fears, like widespread gun control (cops need permission over radio to unlock their guns), black people getting paid reparations, white people living in shantytowns (nixonville), cigarettes are illegal, religious people becoming a persecuted minority, stuff like that. The first few episodes play up an angle of “what if cops mainly profiled poor white people.” That’s because the premise is that there’s been an uninterrupted 30 year liberal hegemony under president Robert Redford, similar to how the 1980s Watchmen comic took place during an uninterrupted conservative domination with Nixon.
The glorifying cops part is because it dips into the idea there are some good cops who are struggling against an entrenched structure of bad cops. That’s the whole arc of the show, the main character Angela is a “good cop” who is routing out the “bad cops” in order to repair the structure. It’s the liberal nonsense idea that putting oppressed minorities into positions of power like wealth, the cops, politicians, etc will correct the structure, since the problem is presented as individuals within that structure rather than the thing itself. In the show’s attempts to subvert/criticize corporate liberal dystopia, it still presents the same conclusions.
Although another way of reading it is that it’s a criticism of how generic American liberals, even when granted full control over society, still manage to recreate the same conditions. That’s a better and more interesting reading honestly. But I’m stuck because I know that Damon Lindelof (the writer) is himself a generic rich Hollywood liberal type.
I actually like the show by the way. Jeremy Irons was good. The Trent Reznor soundtrack is beautiful too.
