It doesn’t matter if it’s a CD, a Film, or manual with the instructions to build a spaceship. If you copy it, the original owner doesn’t lose anything. If you don’t copy it, the only one missing something (the experience) is YOU.
Enjoy!
Of course, if you happen to have some extra money for donations to creators, please do so. If you don’t have that, try contributing with a review somewhere or recommending the content, spread the word. Piracy was shown to drive businesses in several occasions by independent and biased corps (trying to show the opposite).
Devil’s advocate: “If you copy it, the [original] owner doesn’t lose anything…”
They loose the right to distribute it or not distribute it to who they choose. As the owner, it’s technically their right to deny access to the work, and you are taking that right away from them.
I’m not a shill, and I am never going to be a customer of big media. If I can’t get it without charge, I’d rather go without. But, I am taking that right away from the owner. I sleep ok.
Based on this interpretation libraries are stealing from book publishers and food banks are stealing from grocery stores.
Libraries and food banks have their inventory paid for, though. Neither one of them accepts stolen goods. What are you talking about?
So if I torrent something from someone who paid for it, it’s like checking it out from a library’s collection and not piracy. Got it.
/s?
Yes, exactly. But better, because by “checking it out” you’re not preventing anyone else from also enjoying it at the same time (on the contrary, by nature of the bittorrent protocol you’re improving the availability of said cultural work, helping to preserve it, and culturally enriching society to a greater extent than libraries can unless they don’t artificially restrict access to digital works).
You’re right, it’s not a perfect analogy. I was more pushing back against the supposition that the depravation of a potential sale equates to theft.
That said, media that is pirated comes from somewhere. Many times that content is ripped from streaming providers directly, which means someone has paid for the content initially. Other times the content is ripped off a blu-ray, which also means someone has paid for the content already. Cam recordings require someone to pay for a ticket (or someone to work at a theater but at that point we’re getting in to semantics).
At this point I’ve completely lost the context of what we’re even discussing here. Oh, right. OP said piracy isn’t stealing. Stealing/theft/larceny requires real property to be taken from its owner. Digital piracy does not meet that definition, full stop. OP is technically correct. Is it copyright infringement? Sure. Is that moral? Idk, I can’t dictate your morals but I don’t have any moral objection to it myself.
When copyright holders can remove access to paid content on a whim, or destroy already finished works because it’s somehow more profitable than selling them, or simply don’t care about preserving the works they claim to be responsible for, archiving them even against their wishes is not only moral, but a moral imperative.
Culture is more important than profits. And if preserving culture is illegal, the law is wrong, and must be ignored until it’s been corrected.
Technically, they are, as they also deny them the option to distribute books and food.
“Books” and “food” are not someone’s intellectual property so that’s okay. If brand A were to sell “BRAND B SUPER FOOD” (let’s assume this is a known brand of Brand B), that would very much be problematic.
In the case of books, if you wrote the “super personal top secret book” and a library somehow got a copy without your permission and made it public, you’d be pissed too and they’d deny your right to distribute or not distribute.
What? No. Denying the option to distribute something is not theft.
Your point about Brand A selling something named a derivative of Brand B makes me think there’s a misunderstanding here. This would fall under the realm of trademark violation, which I wasn’t aware was being discussed.
I’d be pissed that the library somehow stole the physical book from me or that they hacked into my computer and stole the books manuscript file from me, which both would be examples of actual theft. If I sold the library the physical book and an epub version with DRM, the library removed the DRM, then began loaning out the DRM-stripped epub I could potentially be mad, but it certainly would not be because of theft because no theft would have occurred in that scenario.
They still have the right to distribute it. It’s not like reddit, who not only claim the right but also apparently claim ownership of any content you publish there, while providing no consideration (payment) in return.
However, as you say, they have the right to deny you, and by copying you are subverting their rights. That’s still not theft, though, which is why copyright infringement is a separate offense.
Theft is a crime, copyright infringement is a civil matter.
The “right to control distribution” is utterly unenforceable in a world with computers and the internet. The only way to enforce that right is to have centralized institutions with absolute control over every computer.
I can understand a need for controlling personal information in order to protect the user privacy. I can even get behind the idea of having to control dangerous information, like schematics for nuclear weapon systems. I do not support the idea of moving towards a world where the NSA has a rootkit on every computer because capitalism can’t be bothered that artists make enough to eat.
Maybe there is an inherent problem with a social system in which so many people struggle to make a living. And maybe the solution isn’t to create artificial scarcity in computer systems where information can be shared freely.
They already lost that right when they gave their product over to a licensor or distributor. Especially more in some industries such as book publishing.
That right is something they should not have. Streaming services greenlight shows, get them made, then cancel them after two seasons to prevent artists getting residuals.
Then if they lose popularity they pull them off the site and even the people who worked on them can’t see them anymore. Animators have to rely on piracy just to show people their own portfolio. That’s where respecting copyright leads.
The copyright owner is just whoever fronted the money, and the only reason we’ve decided they “own” anything is because people with money have decided money should be the most important thing in our society.
Perfect example of this is the movie Dogma. Kevin Smith has stated he would love to do a follow up on it, but he as the creator can’t because the IP is owned personally by Harvey Weinstein, and he refuses to give money to Harvey to license or buy it because obvious reasons. So, his own creation is locked away from him because a monster put up the money for the original before Kevin or most people knew they were a monster.
Yup, copyright doesn’t help artists. Its main purpose is to allow the hoarding of property into the hands of the wealthy, just like basically every other property relation under capitalism.
We can see with things like patreon that people love to support artists they like even if most of their work is free. We really don’t need gatekeepers to make art happen.